May 1, 2018
Text Only Version
In This Issue
2018 AICP AWARDS
AICP Show and Next Awards Shortlists Released: Curatorial Committees Meet in New York City
An Exclusive Q&A With 2018 AICP Show Chairperson Robin Shenfield of The Mill
2018 AICP Week Passes and Tickets Are Now Available
SPONSORED CONTENT
New LUMBERYARD Studios in the Hudson Valley - Ready For the Commercial Production Community
POST NOTES
AICE Awards Insights: Sound Lounge's Tom Jucarone and Rob Sayers on Mixing Hennessy's "The Piccards"
The AICE Awards Head for Culver City Next Week
View All 2018 AICE Awards Shortlisted Entries
SPONSORED CONTENT
50% Off Film in California Conference Registration For AICP Members
COMMUNITY AFFAIRS
AICP/West Town Hall on Cybersecurity
The AICP Production Training Seminar Held in Chicago and Coming Next to Dallas
SPONSORED CONTENT
Line 204 Approved to Break Ground on 240,000-Square-Foot Sun Valley Studio Complex in September 2018
MEMBER SERVICES
AICP Membership Continues to Grow


HAPPENINGS
Visit the AICP Calendar on aicp.com for all upcoming dates and events...

May 1st, 2018 - Business Affairs Roundtable in New York

May 9th, 2018 - Business Affairs Roundtable in Los Angeles

May 10th, 2018 - 2018 AICE Awards in Culver City, CA

May 15th, 2018 - AICP Labor Roundtable in Los Angeles

May 19th & 20th, 2018 - AICP Production Training Seminar in Dallas

June 12th - 14th, 2018 - AICP  Week in New York City 

POST NOTES
AICE Awards Insights: Sound Lounge's Tom Jucarone and Rob Sayers on Mixing Hennessy's "The Piccards"

Sound Lounge’s Tom Jucarone and Rob Sayers provided the stirring audio that won the AICE Award in the Audio Mix category last year for Hennessy’s “The Piccards.” The 90-second spot, created by Droga5, visually tells the story of the Piccard père et fils and their remarkable achievements: How, in 1931, Auguste was the first man to reach the stratosphere, and almost thirty years later, his son Jacques became the first man to reach the ocean’s deepest point. To view the spot, click here.

In addition to being a Senior Mixer and Sound Designer at Sound Lounge, Tom is also the company’s President. He started his career as the go-to guy for top creatives mixing famed Pepsi spots that featured Cindy Crawford, Michael Jackson, The Rolling Stones, and Britney Spears (to name a few). He’s dominated the Super Bowl, mixing for brands like American Express, Diet Pepsi, Budweiser, Snickers and more; indeed, he’s mixed over 100 spots for the big game, including 12 that aired during a single broadcast and eight that were voted #1 by the USA Today Ad Meter.

Rob, a Senior Mixer and Sound Designer, is a 25-year industry veteran who’s mixed and sound designed thousands of spots for TV, radio and the web, working for such brands as Budweiser, Ford, Samsung, the NFL, and ESPN. Like Tom, he’s mixed many Super Bowl ads, and is a past AICE Award and AMP Award winner.

In addition to winning Best Audio Mix at the AICE Awards, “The Piccards” also won Outstanding Mix at the 2017 AMP Awards and was a Visual Effects, Production Design and Sound Design winner at the AICP Show. We spoke with Tom and Rob about working together on the Hennessy winner.

Have you ever co-mixed a project before? How did you divide and conquer on this job?

Rob: With the amount of work that comes through Sound Lounge, there’s a fair amount of “co-mixing” when projects extend over a long period of time, like Hennessy did. It’s not so much “divide and conquer” as an artistic partnership. Tom and I share a lot of the same sensibilities, so when we were passing this back and forth it was easy to maintain a consistent creative direction, leading to a great final mix!

Tom: Hennessy was a very sophisticated and in-depth project. There were over 10+ sessions that extended more than a month. We really built the spots over time – it certainly wasn’t a one stage process! Even though the award-winning :90 has no voiceover, I recorded the rapper Nas as VO for the :60, :30, and :15 versions. At this stage, we recorded multiple scripts and tried lots of different versions. Over the course of several later sessions, we received some amazing sound design (from Q Department) and music (from Woodwork) that continued to build and come together over multiple mixing sessions. The “co-mixing” happened in three stages: I began this project, Rob picked up where I left off, and then I finished the final tweaks!

The 90-second version is pretty amazing; there’s no dialogue or VO, and the entire story is told through the visuals. What was the biggest challenge you faced in the mix on this spot?

Tom: The creative is obviously brilliant, and I think it’s just a combination of great storytelling accompanied by those amazing visuals and sound that make it so special. Everything is taken up a notch. Without voiceover, it was important for both picture and sound to communicate the entire story. If I had to say what the biggest challenge was, it was balancing all the sounds in subtle ways and making sure they supported the visuals instead of overwhelming them.

Rob: Yeah, with a spot like this you really want to make sure you honor the incredible visuals with a mix that helps reinforce the vast spaciousness you see; whether in space or under the ocean. It was a real pleasure to work on this and help achieve the creative's vision!

This spot has been honored with numerous awards. What, in your opinion, made it stand out?

Rob: Its' range is really extreme. From the force of getting out of the atmosphere, to diving down deep in the ocean, all with the common thread of father and son. I think the story and production value really made this a winner.

Tom: And it’s entertaining. It's truly a special and unique story with a great creative vision and execution. I have to give credit to the creatives at Droga5 and a special shout out to producer David Cardinali, who has such a great talent for knowing how to put the best team together, ensuring an amazing outcome.

Speaking of awards, how does it feel to have this honored for the audio mix by your peers at both AICE and AMP?

Tom: I’m incredibly proud to win both of these awards, because I know the kind of competition we were up against. I feel even more honored because it is the second time I’ve won an award from both of these important groups. Getting to partner with Rob on something like this, while working with a great client team, is what it’s all about.

Rob: Droga really knocked it out of the park with this one and getting to work with Tom is always the best. Double the pleasure, double the fun!

The 2018 AICE Awards is the 17th annual post production competition, and the first under the auspices of AICP. It comprises 27 categories: 18 for editorial and nine for post production crafts including audio mixing, color grading, design, original music, sound design and visual effects. Winners will be announced at the AICE Awards Show on Thursday, May 10 at Unici Casa in Culver City, California. For more information on the event, click here.

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