Free TESOL Quarterly Article:
"New Ways of Connecting Reading and Writing"
December 2013: Volume 47, Issue 4
This article first appeared in TESOL Quarterly, Volume 47, Number 4, pgs. 825–830. Subscribers can access issues here. Only TESOL members may subscribe. To become a member of TESOL, please click here, and to purchase articles, please visit Wiley-Blackwell. © TESOL International Association.
Over the last few decades, writing for academic, business, and professional purposes has moved almost entirely from paper to screen. Throughout the developed world and in much of the developing world, there is little serious writing that is not done digitally. The transition to digital reading has come a bit more slowly. Although Web-based reading has been gradually expanding for the last 20 years, it is only with the advent of smartphones, tablets, and e-readers that magazine and book reading has gravitated to digital media. A preference for digital reading is especially prevalent among the young, who also tend to be the principal audience of English as a second or foreign language programs around the world. Though digital literacy can be broadly defined, in this contribution we will focus particularly on the skills and practices of reading and writing, and how those are transformed in the digital environment. In doing so, we make reference to several of our recent research projects at the University of California, Irvine, each of which indicates important connections between digital reading and writing.
SCAFFOLDED E-READING AND COLLABORATIVE WRITING
Researchers and educators in the field of TESOL have been among the earliest to explore scaffolded reading on computers, investigating the effect of features such as first and second language vocabulary glosses; visual, audio, and audiovisual supports; advance organizers; highlighting of words; and text-to-speech (Chun, 2011). The broad transition of reading from page to screen allows many more opportunities for digitally supporting reading. Anderson-Inman and Horney (2007) provide an excellent review and categorization of the ways that this can occur (see Table 1). Our research team in the Digital Learning Lab at the University of California has been investigating two of these ways, the presentational and the collaborative.
As for the presentational, we are studying the use of visual-syntactic text formatting (VSTF; Walker, Schloss, Fletcher, Vogel, & Walker, 2005) for reading. VSTF uses a cascaded form of organization that better matches the human eye span and highlights the syntactic meaning of texts (see Figure 1). Earlier studies suggested a wide range of literacy benefits for students, and especially for English learners (Warschauer, Park, & Walker, 2011). Our most recent research confirmed these benefits in a study of 23 sixth-grade classrooms with large numbers of English as a second language (ESL) students in southern California (Park, Warschauer, Collins, Hwang, & Vogel, 2013). The random-assignment experimental study found that students who read with VSTF for a school year had significantly greater improvement on the English Language Arts California Standards Test, as well as on its Word Analysis, Writing Strategies, and Writing Conventions subtests.
This article first appeared in TESOL Quarterly, 47, 825–830. For permission to use text from this article, please go to Wiley-Blackwell and click on "Request Permissions" under "Article Tools."
doi: 10.1002/tesq.131
TESOL Blogs
Interested in writing a blog for TESOL?
Contact
Tomiko Breland with your idea or for submission details.
Check out the latest TESOL Blogs:
ESL Games: Words of Fortune, by Marc Anderson
The Game: The object of Words of Fortune is to form the best possible words from any of the 8 letters that describe the word challenge card in each play.
Research Says: Research supports the use of a vocabulary game like this to bring real world context into the classroom and enhance students’ use of English in a flexible, communicative way (Asian EFL Journal, December, 2003). Read More. |
Nine Features of an Effective Teacher Evaluation System, by Deena Boraie
The TESOL President’s Blog
Many teachers understandably do not enjoy or appreciate being evaluated. Some teachers actually dislike or resent evaluation systems in general, or the system that is implemented in their workplace specifically. Regardless of these opinions, I think that nowadays all high quality institutions, or teaching organizations all over the world that aspire to be regarded as high quality, have a teacher evaluation or appraisal system in place.
Teacher evaluation is here to stay, and the question to be considered is not whether there should be a teacher evaluation system but how to evaluate teachers effectively. On examining the literature and current practices in various our profession, it can be seen that there is no single unified approach. Read More. |
That’s a Good Question!: A Convention Keynote-Related Blog, by Diane Larsen-Freeman
When one of our students asks us something we don’t have an immediate answer to, without thinking, we may remark “That’s a good question!” Calling a question “good” can be an admission that we don’t know the answer, or it may be a stalling maneuver while we search for a plausible one.
It could also mean the opposite. As I read in a blog recently: “A good question is one to which I know the answer off-hand.” “A very good question” means “I even have a slide for it,” and “a great question” means “It’s the NEXT slide up!” Read More. |
Untitled Skull: A Speaking and Writing Activity Using Art, by Alexandra Lowe
Some time ago, I attended a professional development seminar presented by Patricia Lannes, Project Director of CALTA21, an innovative partnership between museums and community colleges that uses art as a catalyst for enhancing adult ELLs’ language and critical thinking skills. Patricia kicked off the seminar by projecting an unfamiliar painting on a large screen and asking us three simple questions:
- What’s going on in this picture?
- What do you see that makes you say that?
- What more can we find?
These three open-ended questions stimulated a rush of comments, as different members of the audience noticed and pointed to different facets of the art work, drawing widely varied conclusions about “what was going on” in the chosen painting. Read More. |