Using songs to make learning material enjoyable and
easy to remember is a well-known teaching strategy (Arnold & Herrick,
2017; Stavrou et al., 2022; Weale, 2022). Many English teachers have used
popular songs from groups like the Beatles to facilitate language learning just
as many children have used the classic song “Head, Shoulders, Knees, and Toes”
to learn body parts or “Old MacDonald Had a Farm” to learn farm animals and
their respective sounds. Using music to learn language is suitable for learners
of every age and level of language proficiency. For English as additional
language instructors, those who have been teaching long enough should remember
bringing a portable sound system to class to play cassettes, and later CDs to
play songs in class. Now, thanks to the internet, literally millions of songs
are conveniently available on online platforms, such as YouTube and Spotify.
Using songs as a teaching tool has never been more feasible.
Background
We are currently both instructors at a
university-based intensive English program. In her role as activities
coordinator, Ece started Language Music Club as an extracurricular activity.
The name of the activity was important because she wanted to emphasize from the
start that language and music were
going to receive equal attention during the activity.
Heather asked to join soon after its inception in
2017, and since that time, they cohosted the meetings several times per
semester. Once the pandemic hit and classes switched to remote instruction,
they continued to host Language Music Club virtually, and it provided a much
needed sense of connection for the participants.
Student Learning Outcomes
Regardless of the student learning outcomes (SLOs)
and language goals that you have in your school or program, speaking goals can
most likely be divided into three distinct areas of focus: pronunciation,
grammar, and vocabulary. Of course, some songs can be used to practice more
than one SLO.
1.
Pronunciation
Probably the first and most obvious way to
implement songs is for pronunciation practice. There are three areas of
pronunciation to consider.
Segmental pronunciation features refer to the individual sounds (consonant and vowel sounds
or phonemes), in particular the sounds that are challenging for your students.
For example, the North American English [r] sound can be problematic for
learners across a variety of home languages. Here are a few great songs to use
for practicing segmental pronunciation:
“I Am Woman” (Helen Reddy, 1971): This song
contains many words with a final [or] sound. It is also well suited for
International Women’s Day, which is held on 8 March.
“Cheerleader” (OMI, 2014): This more recent song
contains words with a number of final [r] sounds for practice.
“Green Grass Grows All Around” (Barney, 1993):
This song is suitable for all ages to practice consonant clusters, and there
are folk music versions and children’s versions of this song.
“The Way You Do the Things You Do” (the
Temptations, 1964): This song offers a great way to practice rhyming
words.
Suprasegmental pronunciation
deals with the aspect of pronunciation above the individual sound level, such
as stress, rhythm, pitch, and intonation. Here are a few songs that are great
for practicing suprasegmental pronunciation:
“Thunder” (Imagine Dragons, 2017): This song
works well for teaching rising and falling intonation.
“Most Girls” (Hailee Steinfeld, 2021): This is
another song that can be used to practice the “rising, rising, falling”
intonation of a series of words separated by commas.
“We Can Work It Out” (The Beatles, 1965): The
contrastive stress of “MY way” vs. “YOUR way” is good practice for this
specific type of intonation.
“Sugar” (Maroon 5, 2014): There are excellent
examples of thought groups and sentence rhythm in this song.
“Down by the Bay” (Traditional children’s song,
1914): This is a song that has fun rhythm and sentence stress
practice.
Fluency also lends itself to
song because it is very difficult to sing words discretely. The music
inherently links each word to the next following the rhythm of the song.
“Look What You Made Me Do” (Taylor Swift, 2017):
This song works well for learners to practice fluency because it has phrases
that are repeated multiple times in quick succession.
“Counting Stars” (One Republic, 2013): This song
is also has the repetition of the same line with the same rhythm, which makes
it good for fluency practice. It also has other beneficial aspects, such as a
grammar focus using present perfect progressive and future progressive, which
allows students to practice fluency with more complex grammar structures.
2. Grammar
One way to make grammar more active and memorable
is through music. Many songs use repetitive grammatical forms in both the
chorus and in the verses. Here are some examples:
Present perfect tense:
Queen’s “We Are the Champions” (1977) includes a wide variety of excellent
examples of the present perfect tense.
Present unreal conditional
tense: “If I had a Million Dollars” by the Barenaked Ladies (1988)
is another fun song that students will not be able to stop singing for days. As
the title suggests, it is a great song for practicing the present unreal
conditional tense.
Yes/No questions: “Shallow”
(Lady Gaga and Bradley Cooper, 2018) has great examples of yes/no question
formation and use. This song also contains examples of the use of the ain’t form of the verb to
be.
Phrasal verbs: “Try
Everything” (Shakira, 2016) has an incredible number of useful phrasal verbs in
it.
3.
Vocabulary
Songs are full of both everyday and academic
vocabulary that is made much more memorable through the melody and the lyrics.
When using a song in a lesson, sometimes the vocabulary is the learning
objective, and other times there are only a few words that need to be
explained.
Asking students to guess the meaning of a word or phrase is also
effective if there is sufficient context. Here are some good songs to use for vocabulary
practice, though, of course, song choice for vocabulary depends largely on your
learners’ proficiency levels and what the class is studying during a given
unit.
Figurative language: For
higher proficiency students who are ready for practice with figurative
language, Natasha Bedingfield’s 2004 song “Unwritten” contains engaging
examples.
Slang and idioms: The 2020
song “Dynamite” by BTS is full of useful idioms, cultural references, and fun
current slang.
Adjectives: “I Will Survive”
(Gloria Gaynor, 1978) is a good song for practicing adjectives and synonyms as
a way to increase vocabulary.
Choosing a Song
With so many songs to choose from, it can seem like
a daunting and time-consuming task to find the perfect one. It is also easy to
find yourself always returning to the same genre or decade that you yourself
typically listen to. In considering which song to use, think of it as an
opportunity for yourself to expand the types of music and artists that you
listen to. Keep the following in mind when selecting a song.
Student Learning
Objectives: If a song is going to be incorporated into the
curriculum, it needs to support the course’s goals and the lesson’s SLOs. One
easy trick is to help the internet narrow down your choices. If you are looking
for a way to liven up the simple past tense, simply do an internet search for,
“songs with past tense.” Just finishing a lesson on comparative adjectives? A
quick search for “songs with comparative adjectives,” will yield helpful
results. This will narrow down your choices from seemingly infinite to a
smaller, more manageable number of results.
Language: One
aspect to consider is the amount of slang or objectionable language in a song.
If there is a song that you like that is full of curse words, try searching for
a “clean version,” which may be suitable for the classroom. Another
language-related consideration is the use of “nonstandard” grammar in the
lyrics. This does not necessarily immediately disqualify a song. In fact, it
can be used as a way to discuss the many varieties of English that learners
will encounter. For example, many songs delete be verbs or
contain forms like ain’t (as in the song “Shallow”
mentioned in Activity 2) that teachers typically avoid when teaching grammar.
Encountering these grammatical structures can open up a dialog with students
about how and why speakers use these forms. The discussion topic can be related
to where it is more common to hear different grammatical forms.
Speed: Obviously,
if the “perfect” song is much too fast for your learners, it can be
frustrating. If you encounter this problem, one thing you can try is searching
for another version, perhaps recorded by another artist. You can even do an
activity using the slower version, and then share the faster version and
encourage students to work up to that. Most digital music platforms such as
YouTube or Spotify also allow the listener to increase or decrease the playback
speed.
Another related obstacle is when the singer does
not enunciate clearly enough. Songs can have great examples of reduced speech,
such as “wanna” and “gonna,” but if every lyric sounds like a mumbled mess to
your learners, it will not be an effective learning tool. Again, try to find
another version of the song by a different artist who might sing a bit more
clearly.
Age of Learners:
Many popular songs are suitable for learners of all ages, but if there is a
song that you would like to use with younger learners that has lyrics that
might not be appropriate, there are child-themed versions of popular songs
available on Kidzbop.
There are, of course, many songs, such as The Green Grass Grows All
Around and Down By the Bay, that are
specifically for children and which are great for learning vocabulary,
pronunciation, and grammar.
How to Teach With Music
Basic steps for using music in the
classroom:
Introduction: Give
a brief overview of the plan for the lesson. If it’s the first song-related
lesson of the semester, it helps to have a short warm-up discussion about the
students’ favorite artists, songs, and types of music. If the lesson is part of
an extracurricular activity, these questions can be included in an online
registration form to be completed before the activity. Alternatively, paper
information forms asking for the same information can be used at the beginning
of, or after, the first lesson.
Artist and Song
Background: Using projected slides, give some basic information
about the artist and song, such as the time period, genre, and a few
interesting facts.
Introduction of Language
Feature: Introduce the language focus (pronunciation, grammar,
vocabulary) of the lesson and present a few examples of the specific language
feature.
Practice of Language
Feature: Elicit additional examples of the language feature from
students. If the focus is a grammatical feature, such as a specific verb tense,
you can elicit explanations about form and use. If the focus is pronunciation,
students can do choral repetition as well as practice with a partner or
group.
Listen for Specific Language
Feature: Give the activity to the students. If the task requires
students to listen for missing words related to the language feature, draw
their attention to the blanks and remind them about the focus. You can have
them predict the missing words based on the target feature. Here are some
activities to create using the songs of your choice:
Pronunciation [specific sound or
phoneme]: Print out the lyrics to the song and have students listen
to the song and underline the specific pronunciation feature that you’re
working on.
Vocabulary: Print out the
lyrics to the song and ask students to try to predict what the missing words
might be. Remind students to use the context and other lyrics to help them,
especially for lyrics that have a predictable rhyming scheme.
Grammar: Delete the lyrics
that contain the target grammar feature. After introducing the grammar, ask
students to listen and complete the lyrics with the missing words.
Review Answers and
Challenges: After listening to the entire song one time, ask
students how they did (e.g., for a fill-in-the-blank activity, how many missing
words they were able to complete). If the activity was challenging, play the
song again. Then, have students check their answers with a partner or group
before reviewing the answers as a class.
Sing!: After the
answers are complete, play the song again and encourage students to sing along,
paying special attention to the target language.
Point Out Interesting/Useful
Vocabulary: After singing one time, stop to explain interesting
and/or useful vocabulary.
Answer Questions:
Ask students if they have any other questions about the target feature, and if
time allows, answer questions about any other unfamiliar vocabulary.
Conclusion
Using music and songs to learn a language can make
any lesson more memorable and engaging. If the curriculum does not allow time
for extra activities, try alternative ways to introduce the song. In our
program, we decided to create the extracurricular Language Music Club, which is
open to all students at all levels. Alternatively, an activity with
explanations could be posted on an LMS or emailed to students as an outside
activity. Try out one of these songs and share your experience with the TESOL
community.
We have enjoyed using music as a language learning
tool so much that we started a podcast in early 2022. “English as a Singing
Language” uses songs from different time periods and genres of music to teach
pronunciation, grammar, and vocabulary. The episodes are 7–12 minutes long and
designed to engage learners’ attention and assist them in achieving language
objectives.
Heather
McNaught has been a language teacher for
more than 30 years. She received her bachelor’s and master’s degrees in applied
linguistics from Ohio University. After living and teaching overseas for many
years, Heather returned to the United States in 2009. She is currently the
assessment supervisor at the English Language Institute at the University of
Pittsburgh. As a language teacher and a language learner, she loves using music
as a tool to make learning language enjoyable.
Ece
Ulus has taught at the English Language
Institute at the University of Pittsburgh for more than 10 years. In addition
to teaching classes in the Intensive English Program, Ece enjoys planning and
chaperoning activities in which students can use their English skills outside
the classroom. Ece is an alumnus of the University of Pittsburgh, where she
earned both her bachelor’s and master’s degrees, the latter in foreign language
education with a TESOL certificate.
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